D. H. Lawrence and the Dialectics of Spatial Form is an innovative work in the field of Lawrence-studies. Six major works of Lawrence- Sons and Lovers, The Rainbow, Women in Love, The Captain’s Doll, Aaron’s Rod, and The Plumed Serpent- are selected in the study of spatial form. This book departs from the existing critical works on Lawrence, insofar as it rereads the so called Lawrentian characteristic defects in a positive way, connecting with the post-modern literary theories. The author takes account of Lawrence’s aesthetics and ideals, his cultural inheritance, and the resisting forces in English canonical writings of his time. Interpretation of Lawrence in a particular line and value judgement are ignored in order to direct the reader’s attention to a participatory reading. The work contains chapters on “Breaking the Prison Wall”, “Circular Repetition”, “Structural Aesthetics”, “Intertextual Collage”, and “Conclusion” besides a “Preface”. All through the chapters Lawrence has been presented in a new perspective unprecedented, rising above the dispute shrouding the critics.
Being modernist writers, D.H. Lawrence and Virginia Woolf are both interested in the psychology of individuals. Although they differ in their ways of depiction, they employ natural imagery to depict the psychology of the individuals, which can be defined as their Romantic sensibility toward nature. In both writers, though nature is more central to Lawrence's works than to those of Woolf's, nature is of great importance in the creation and representation of characters. Through their contact with nature, their characters experience self-realization as they reveal their hidden selves and as they find ties between their selves and nature. More specifically, this book examines how Lawrence and Woolf depict nature in order to reveal the psychology of characters in relation to their experiencing self-realization in Lawrence's Women in Love (1920) and The Plumed Serpent (1926) and Woolf's The Voyage Out (1915) and Orlando: A Biography (1928).
Дэвид Герберт Лоуренс - выдающийся английский писатель, романы и повести которого составляют неотъемлемую часть литературы XX века. Роман "Радуга", изданный в 1915 году, сразу же после печати был запрещён, а первый тираж сожжён. В этой незаурядной книге автор представляет на суд читателей историю о жизнь двух поколений маленькой семьи, в которой кипят нешуточные страсти... Читайте зарубежную литературу в оригинале!
A level 2 Oxford Bookworms Library graded readers. Retold for Learners of English by Jennifer Bassett. It is hay-making time on the Wookey farm. Two brothers are building the haystack, but thinking about other things – about young women, and love. There are angry words, and then a fight between the brothers. But the work goes on, visitors come and go, and the long hot summer day slowly turns to evening. Then the sun goes down, covering the world with a carpet of darkness. From the hedges around the hayfield comes the rich, sweet smell of wild flowers, and the hay will make a fine, soft bed…
In this notorious late novel, Lawrence's pagan imaginings burgeon. Kate Leslie, an Irish widow touring Mexico, becomes gradually involved with a charismatic leader, and she enters a sexual relationship with his dark henchman. As the two men conspire to revive the old Aztec religion and seize power, Kate is increasingly implicated in their 'blood consciousness', phallic propaganda and right-wing violence.
Soon after its publication Lady Chatterley's Lover (1928) became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable words. This last of Lawrence's novels reflects his belief that men and women must overcome the deadening restrictions of industrialized society.